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This article is about folk rock in general, especially American folk rock. For British folk rock in particular, see British6️⃣ folk rock
Folk rock is a genre of rock music with heavy influences from English folk and American folk music.[1] Combining6️⃣ the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the6️⃣ mid-1960s.[2][3] In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several6️⃣ of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire,6️⃣ adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term6️⃣ "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
The commercial success6️⃣ of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with6️⃣ Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde6️⃣ on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new6️⃣ groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where6️⃣ he was backed by an electric band, was also a pivotal moment in the development of the genre.
During the late6️⃣ 1960s in Britain and Europe, a distinct, eclectic British folk rock style was created by Pentangle, Fairport Convention and Alan6️⃣ Stivell. Inspired by British psychedelic folk and the North American style of folk rock, British folk rock bands began to6️⃣ incorporate elements of traditional British folk music into their repertoire, leading to other variants, including the overtly English folk rock6️⃣ of the Albion Band and Celtic rock.
