Skinamarink was inspired by the tropes recurrent in the most commonly submitted nightmares. The film was💶 preceded by a 2024 proof of concept short film titled Heck, which was also directed by Ball. Ball recalled, "I'd💶 had a nightmare when I was little.
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According to journalist Richard Goldstein, many popular musicians from California (like Wilson) desired to🧾 be acknowledged as artists, and struggled with this aspiration. Goldstein says that the line between violating musical conventions and making🧾 "truly popular music" caused those who did not have "strong enough egos" (in contrast to Bob Dylan and the Beatles)🧾 to be "doomed to a respectful rejection, and a few albums with disappointing sales usually meant silence. ... They yearned🧾 for fame, as only needy people can, but they also wanted to make art, and when both of those impulses🧾 couldn't be achieved they recoiled in a ball of frantic confusion."[34]
Jacqueline Edmondson's 2013 encyclopedia Music in American Life states that,🧾 although it was preceded by earlier examples, Frank Zappa and the Mothers of Invention's debut album Freak Out! (June 1966)🧾 came to be seen as "the first successful incorporation of art music in a pop context". With Los Angeles as🧾 his base since the early 1960s, Zappa was able to work in an environment where student radicalism was closely aligned🧾 with an active avant-garde scene, a setting that placed the city ahead of other countercultural centres at the time and🧾 would continue to inform his music. Writer and pianist Michael Campbell comments that the album "contains a long noncategorical list🧾 of Zappa's influences, from classical avant-garde composers to obscure folk musicians".
Clash Music names the Velvet Underground's debut March 1967 album🧾 The Velvet Underground & Nico "the original art-rock record".[59][nb 5] Bannister writes of the Velvet Underground: "no other band exerted🧾 the same grip on the minds of 1970s/1980s art/alternative rock artists, writers and audiences." Their influence would recur from the🧾 1970s onwards to various worldwide indie scenes,[nb 6] and in 2006, The Velvet Underground & Nico was inducted into the🧾 Library of Congress' National Recording Registry, who commented: "For decades [it] has cast a huge shadow over nearly every sub-variety🧾 of avant-garde rock, from 70s art-rock to no-wave, new-wave, and punk." However, when the Velvet Underground first appeared in the🧾 mid 1960s, they faced rejection and were commonly dismissed as a "fag" band. In 1982, musician Brian Eno famously stated🧾 that while The Velvet Underground & Nico initially sold just 30,000 copies, "everyone who bought one of those 30,000 copies🧾 started a band."[64]
References [ edit ]
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