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Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment♣️ overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut.♣️ The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013),♣️ where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement♣️ of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside♣️ the film, on July 10, 2024, by Back Lot Music.[2][3]
Pereira who watched the Despicable Me films, observed audience reaction to♣️ the Minion characters, and felt that "this is now a part of their lives, and I want to do justice♣️ to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated and dramatic to♣️ give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira recorded the music♣️ using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as "an opportunity to♣️ pay homage to the musicians and technicians of that time" and also inspired composers such as Henry Mancini, Lalo Schifrin♣️ and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those songs represent an♣️ era but they also have to have a relationship to the moment in the movie where they appear. The directors♣️ love music and those were the songs that they felt at the moment represented the storytelling the most, like "You♣️ Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are sung by the♣️ Minions themselves. He added that "it was fun to write music around it and try to make the orchestral music♣️ and band music to somehow be holding hands with the music of the period without sounding like somebody that wrote♣️ the music then".[6]
Pereira compared the music for the Minions to that of the Three Stooges, where the difference is Minions♣️ could not speak English. He further said that "Their language is not language, but the cumulative aspect of the repetition♣️ of those words is like creating a language in itself [...] In Minions, a lot of things go by and♣️ then the narrator has left the movie and now they are out there on their own. Instead of compensating for♣️ their lack of language I decided to back off, give them space, and let their phonetic sounds be very clear.♣️ That was a lot of fun because we almost made a dictionary of their sounds and let the music follow♣️ the same kind of repetition."[6] Pereira took the music from their travel through time and acquired all the personalities through♣️ the score.[6]
The score was recorded at Los Angeles in Newman Scoring Stage, 20th Century Fox Studios and EastWest Studios. The♣️ Los Angeles Orchestra performed the score consisting of 24 violins, 12 violas, eight cellos, five basses, five saxophones, including a♣️ bass sax, five trumpets, two trombones, tuba, a choir of nearly 40-50 members, a rhythm section and a drummer. In♣️ order to create the British jazz sound resembling the music of the United Kingdom in the 1960s, Pereira invited a♣️ jazz ensemble consisted of woodwinds, clarinets, piccolos alongside drums and brass, in the same room, instead of recording each instrumentalists♣️ in separate sections. He also used percussion instruments for big cues.[4]
Chart (2013–14) Peak
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