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Black is a 2006 first-person shooter video game developed by Criterion Games and published by Electronic Arts. It 🧲 was released for the PlayStation 2 and Xbox in February 2006. The player assumes control of Jack Kellar, a black 🧲 ops agent being interrogated about his previous missions involving a terrorist operation. Gameplay involves players confronting enemies by using firearms 🧲 and grenades. The game is notable for its heavily stylized cinema-inspired action as well as its sound quality and focus 🧲 on destructive effects during gameplay.
Black received generally positive reviews upon release. Critics praised the gameplay, sound design and presentation, but 🧲 criticized the game's short length and lack of multiplayer. Despite Criterion's desire to develop a sequel, creative differences with Electronic 🧲 Arts ultimately ended plans for one. As such a spiritual successor, Bodycount, was created by the same developers at Codemasters 🧲 and released in 2011.
Story [ edit ]
Black is set in Ingushetia and Chechnya, Russia. The protagonist is Sergeant First Class 🧲 Jack Kellar (Marty Papazian), an inadequately disciplined member of a CIA black ops unit. The unknown interrogator (Paul Pape) questions 🧲 Kellar about an arms smuggling terrorist organization and gang called the Seventh Wave who have been responsible for a number 🧲 of terrorist attacks and homicides. Kellar is soon shown that, unless he co-operates, he and his actions will be declassified, 🧲 meaning he will be convicted at court-martial, dishonorably discharged, and imprisoned for life. Though initially resistant, Kellar agrees to tell 🧲 his story.
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Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment 🍇 overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. 🍇 The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), 🍇 where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement 🍇 of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside 🍇 the film, on July 10, 2024, by Back Lot Music.[2][3]
Development [ edit ]
Pereira who watched the Despicable Me films, observed 🍇 audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want 🍇 to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated 🍇 and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira 🍇 recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as 🍇 "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry 🍇 Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those 🍇 songs represent an era but they also have to have a relationship to the moment in the movie where they 🍇 appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the 🍇 most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are 🍇 sung by the Minions themselves. He added that "it was fun to write music around it and try to make 🍇 the orchestral music and band music to somehow be holding hands with the music of the period without sounding like 🍇 somebody that wrote the music then".[6]
"I'm from Brazil, but the first time I heard The Beatles, I didn't have a 🍇 clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow 🍇 already put me in a certain frame of mind. I find that the same goes with the Minions' language." — 🍇 Pereira, on the use of Minions language[4]
Pereira compared the music for the Minions to that of the Three Stooges, where 🍇 the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative 🍇 aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of 🍇 things go by and then the narrator has left the movie and now they are out there on their own. 🍇 Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic 🍇 sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and 🍇 let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired 🍇 all the personalities through the score.[6]
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usuário da pessoa lá. É fundamental escolher o usuário correto no menu suspenso. Você
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