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The Countess Yolande commissioned a werewolf story titled "Guillaume de Palerme". Anonymous writers penned two werewolf stories, "Biclarel" and "Melion".
Much ☀️ horror fiction derives from the cruellest personages of the 15th century. Dracula can be traced to the Prince of Wallachia ☀️ Vlad III, whose alleged war crimes were published in German pamphlets. A 1499 pamphlet was published by Markus Ayrer, which ☀️ is most notable for its woodcut imagery.[12] The alleged serial-killer sprees of Gilles de Rais have been seen as the ☀️ inspiration for "Bluebeard".[13] The motif of the vampiress is most notably derived from the real-life noblewoman and murderer, Elizabeth Bathory, ☀️ and helped usher in the emergence of horror fiction in the 18th century, such as through László Turóczi's 1729 book ☀️ Tragica Historia.[14]
A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For ☀️ example, Gaston Leroux serialized his Le Fantôme de l'Opéra before it became a novel in 1910. One writer who specialized ☀️ in horror fiction for mainstream pulps, such as All-Story Magazine, was Tod Robbins, whose fiction deals with themes of madness ☀️ and cruelty.[18][19] In Russia, the writer Alexander Belyaev popularized these themes in his story Professor Dowell's Head (1925), in which ☀️ a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue, and which was first published ☀️ as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, ☀️ prominent among them was Weird Tales[20] and Unknown Worlds.[21]
Illustration from an 1882 issue of Punch: An English editorial cartoonist conceives ☀️ the Irish Fenian movement as akin to Frankenstein's monster, in the wake of the Phoenix Park killings.
A recent survey reports ☀️ how often horror media is consumed:
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The Velveteen Rabbit (or How Toys Become Real) is a children's book written by Margery Williams (also known as Margery Williams Bianco) and illustrated by William Nicholson. It chronicles the story of a stuffed rabbit and his desire to become real, through the love of his owner.
A young rabbit is born, grows up with her brothers and sisters, is caught by a farmer and kept in a pen by his little boy, and finally escapes to return to the free life of the other wild rabbits.
