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Although the film is set on Long Island, it was shot in Chicago, Antioch, Buffalo Grove, and Fox Lake, Illinois, 🌟 and in Salem and Silver Lake, Wisconsin. The house used is a real 1800s home that was temporarily converted to 🌟 add the famous quarter moon "eye" windows. The house is in Salem at 27618 Silver Lake Road. The movie facade 🌟 costR$60,000. After production the movie facade remained on the house for a while and was eventually carefully removed. The famous 🌟 quarter moon "evil eye" windows were preserved in sections of the walls which still have the movie bedroom wallpaper on 🌟 the inside and siding with old looking movie paint on the outside. The windows were in good shape but were 🌟 "aged" to match the house using peeling paint. In 2024 an estate sale was held at the movie mansion and 🌟 the famous quarter moon "eye" windows, which had been in the attic since filming, were sold. The buyer lives in 🌟 the same neighborhood and has the windows on display.
MGM claimed the remake was based on new information uncovered during research 🌟 of the original events, but George Lutz later claimed nobody ever spoke to him or his family about the project. 🌟 When he initially heard it was underway, his attorney contacted the studio to find out what they had in the 🌟 planning stages and to express Lutz's belief they didn't have the right to proceed without his input. Three letters were 🌟 sent and none was acknowledged. In June 2004, the studio filed a motion for declaratory relief in federal court, insisting 🌟 they had the right to do a remake, and Lutz countersued, citing violations of the original contract that had continued 🌟 through the years following the release of the first film.[3] The case remained unresolved when Lutz died in May 2006.
Manohla 🌟 Dargis of The New York Times said, "Low-key creepy rather than outright scary, the new Amityville marks a modest improvement 🌟 over the original, partly because, from acting to bloody effects, it is better executed, and partly because the filmmakers have 🌟 downgraded the role of the priest, played in all his vein-popping glory by Rod Steiger in the first film and 🌟 by a considerably more subdued Philip Baker Hall here."[4]
Peter Travers of Rolling Stone rated the film one star and commented, 🌟 "First-time director Andrew Douglas crams in every ghost cliché, from demonic faces to dripping blood. This house springs so many 🌟 FX shocks it plays like a theme-park ride. Result? It's not scary, just busy. For the real thing, watch Psycho 🌟 . . . The Shining . . . The Haunting . . . or The Innocents . . . What 🌟 all those films have in common is precisely what the new Amityville Horror lacks: They know it's what you don't 🌟 see in a haunted house that fries your nerves to a frazzle."[7]
James Christopher of The Times observed, "There is something 🌟 pleasurably batty about the way the family blunders on. The chills are satisfyingly creepy. The gory special effects are lavish 🌟 and effective. And the wooden house itself is a sinister architectural pleasure. It’s total nonsense of course, but I left 🌟 the lights on that night anyway."[10]
